{"id":8361,"date":"2020-02-21T11:26:16","date_gmt":"2020-02-21T16:26:16","guid":{"rendered":"https:\/\/web.uri.edu\/artsci\/?p=8361"},"modified":"2020-02-21T13:19:16","modified_gmt":"2020-02-21T18:19:16","slug":"perfectly-off-center-christian-harder-05-on-being-a-photographer","status":"publish","type":"post","link":"https:\/\/web.uri.edu\/artsci\/news\/perfectly-off-center-christian-harder-05-on-being-a-photographer\/","title":{"rendered":"Perfectly Off-Center: Christian Harder \u201805 on Being a Lifestyle Photographer"},"content":{"rendered":"<p><span style=\"font-weight: 400\">In the world of visual art, there exists one basic yet guiding principle known as the rule of thirds. To put this rule into practice, take any image you know &#8212; whether it\u2019s from a famous painting, a shot from a film, or even an old photograph &#8212; and mentally divide it using two evenly spaced vertical lines. Now do the same with horizontal. You might find that some of the most well-crafted shots put their point of emphasis slightly off-center, as this has been shown to be the most visually appealing orientation for viewers. Knowing this rule helps visual artists of all kinds understand two important aspects of art: balance and emphasis. For Christian Harder, these two traits functioned well beyond his art.<\/span><\/p>\n<p><span style=\"font-weight: 400\">A Northern Westchester County, NY, native, Harder&nbsp;studied photography all throughout high school, but when it came time to select a college major he opted to study marine biology at the University of North Carolina. \u201cI got to UNC and found that I couldn\u2019t really express myself artistically,\u201d he says. \u201cI decided to look for a school that had both things, and I found URI. It had a really strong marine biology and visual arts program.\u201d&nbsp;<\/span><span style=\"font-weight: 400\">He made the decision to transfer to URI. As a marine biology and photography double major, Harder found his balance &#8212; but his emphasis remained in flux. \u201cI had this really scientific, straight-and-narrow perspective,&#8221; he says, &#8220;which doesn\u2019t bode well for the artistic process. I honed in on the darkroom process, and I was really unhappy when things didn\u2019t turn out the way I wanted.\u201d In his state of artistic crisis, it was Professor Annu [Palakunnathu] Matthew who came to his aid. \u201cShe gave me a Holga, which is this horrible, cheap camera, but the more I used it, the more I began to loosen up. It really inspired me and showed how she can get the best out of you as both a student and an artist.\u201d<\/span><\/p>\n<p style=\"text-align: left\"><span style=\"font-weight: 400\">Harder graduated in 2005 with a B.S. in marine biology and a B.A. in art, receiving the Dean\u2019s Award for Fine Art during his time here. He began working as a photographer assistant for William Abranowicz, whose work has appeared in collections worldwide, including the National Portrait Gallery of the Smithsonian Museum and the National Portrait Gallery in London. This was a pivotal time in Harder\u2019s burgeoning professional career, as he says, \u201cI really learned the ins and outs of the business, which is important, especially for people just starting out in the field. I really got to learn how a business works and how to build relationships with clients.\u201d <\/span><span style=\"font-weight: 400\">After working with Abranowicz for some time, Harder began accumulating his own clientele, as well as working with interior design company ASH NYC shooting interiors and architecture. Over a decade later, now calling the Catskills town of Bovina, NY, his home base, Harder works as a lifestyle photographer, which requires extensive travel and local-specific photography of restaurants and amenities. While he feels he\u2019s settled into his niche, Harder understands the complexities of staying relevant in the digital age. \u201cWorking on your own,&#8221; he says, &#8220;you have to handle every aspect of your business, including production and client relations. That\u2019s why I really encourage people just starting out to work as photographer assistants. It\u2019s super challenging to break into the field.&#8221;<\/span><\/p>\n<div class=\"cl-wrapper cl-card-wrapper\"><a class=\"cl-card   right\" href=\"https:\/\/web.uri.edu\/art\/\" title=\"\"><div class=\"cl-card-container media\"><img decoding=\"async\" src=\"https:\/\/web.uri.edu\/wp-content\/uploads\/sites\/1132\/feat_img_art.jpg\" srcset=\"\" alt=\"\"><\/div><div class=\"cl-card-container text\"><div class=\"cl-card-text\"><h2>Art and Art History<\/h2><p>We over an experiential environment where you can develop your interests and expertise and work toward a career that honors your creative instincts.<\/p><\/div><\/div><div class=\"cl-card-container button\">Visit website<\/div><\/a><\/div>\n<p style=\"text-align: left\"><span style=\"font-weight: 400\">On a more optimistic note, Harder encourages prospective photographers to look beyond the Valencia filters of the popular Instagram app and VSCO accounts. \u201cBeing a photographer requires more than just taking pictures and making art,\u201d he says. \u201cIf you have a passion for it, you should really consider working with other photographers while you\u2019re in school. Find someone in the field that you want to work with, and don\u2019t be afraid to reach out to them.&#8221; Lastly, he adds: &#8220;Thankfully, nothing can really change too much with photography, since it works within the confines of the technology of the past and present, but it\u2019s still really important to make a career for yourself. It\u2019s so much more than just taking photos.\u201d<\/span><\/p>\n<p><em>~Written by <span style=\"font-weight: 400\">Chase Hoffman, Writing &amp; Rhetoric and Anthropology Double Major, URI Class of 2021<\/span><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Christian Harder \u201805 discusses how his B.A. in art from URI prepared him to become a professional lifestyle photographer.<\/p>\n","protected":false},"author":1089,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[7],"tags":[220,157,306],"class_list":["post-8361","post","type-post","status-publish","format-standard","hentry","category-news","tag-art","tag-art-and-art-history","tag-photography"],"acf":[],"_links":{"self":[{"href":"https:\/\/web.uri.edu\/artsci\/wp-json\/wp\/v2\/posts\/8361","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/web.uri.edu\/artsci\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/web.uri.edu\/artsci\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/web.uri.edu\/artsci\/wp-json\/wp\/v2\/users\/1089"}],"replies":[{"embeddable":true,"href":"https:\/\/web.uri.edu\/artsci\/wp-json\/wp\/v2\/comments?post=8361"}],"version-history":[{"count":5,"href":"https:\/\/web.uri.edu\/artsci\/wp-json\/wp\/v2\/posts\/8361\/revisions"}],"predecessor-version":[{"id":8715,"href":"https:\/\/web.uri.edu\/artsci\/wp-json\/wp\/v2\/posts\/8361\/revisions\/8715"}],"wp:attachment":[{"href":"https:\/\/web.uri.edu\/artsci\/wp-json\/wp\/v2\/media?parent=8361"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/web.uri.edu\/artsci\/wp-json\/wp\/v2\/categories?post=8361"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/web.uri.edu\/artsci\/wp-json\/wp\/v2\/tags?post=8361"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}