Chris Henderson

Biography

My research analyzes the social, geographic, and historical conditions in which groups with limited access to institutional power utilize sports fandom to enact change. I study how fans communicate, form community, claim space and take part in activism. My current project is an oral history of U.S. women’s professional soccer fandom from 1999-2026, as told through the voices of fans and followers of the sport.

I have taught classes on sport history, sport and gender, sport and race and sport media. I emphasize community and experiential learning in the classroom.

Prior to working in higher education, I worked as a writer, photographer and site-specific public artist based in New York City collaborating on programs that negotiated and contested the borders between art, society, and politics. Work included interactive performative screenings, the formation of site-specific residency for visual and performing artists in the basement of a former hospital and long-form journalism on soccer.

Research

My current project is an interdisciplinary book about the queer women-led organized fan groups that form around professional women’s soccer teams in the United States. Following the US women’s national team victory at the 1999 World Cup, fans showed up for leagues and franchises that started up and disappeared, supported players who struggled to carve out a living, and endured a series of player abuse scandals. As recently as 2019, the NWSL faced existential financial questions, but the league’s latest expansion team commanded fees in excess of $200 million and a $240 million media rights deal came online in 2024. Yet, as women’s professional soccer grows financially there is a possibility that the stories of the people who sustained it for the past two decades will be lost. My research seeks to counter maneuvers to marginalize these stories. At the core of the sport’s fanbase were and continue to be queer women who found community in stadiums. At the center of this fandom, are the independent fan groups for each team that collectively perform an uninterrupted repertoire of choreography that loudly celebrate their team at every match. “Pleasurable Labors” is their story.

Education

Ph.D., American Studies/Sports Studies, University of Iowa, 2020

M.A., American Studies/Sports Studies, University of Iowa, 2017

M.S., Journalism, Columbia University, 2002

B.A., Liberal Arts, Sarah Lawrence College, 1999

Selected Publications

Henderson, C.W. (2018). Two balls is too many: Stadium performance and queerness among Portland’s Rose City Riveters supporter club. Sport in Society, 21(7), 1031-1046. https://www.tandfonline.com/doi/full/10.1080/17430437.2017.1329825.

Henderson, C.W., Oates, T.P., & Vogan, T. (2019). From Death to Spectacle: Football’s Neoliberal Revolution. Addressing the Crisis: The Stuart Hall Project, 1(1), 1-7. https://doi.org/10.17077/2643-8291.1002.

Henderson, C.W. and Oates, T.P. “This Means More: Branded Solidarity at Liverpool’s Soccer Clubs.” Communication & Sport, vol. 11, no. 5, 2022, pp. 1011-33. https://doi.org/10.1177/21674795221092034.